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In terms of Biblical influence, Melville’s style can be divided into three categories. First, Melville’s use of Biblical allusion is more at the narrative level of including the allusions within his own writing style rather that formally identifying Biblical quotation. Several uses of his preferred Biblical allusions appear appear repeated several times throughout his body of work, taking on the nature of refrains. Examples of this idiom are the injunctions to be ‘as wise as serpents and as harmless as doves,’ ‘death on a pale horse,’ ‘the man of sorrows’, the ‘many mansions of heaven;’ proverbs ‘as the hairs on our heads are numbered,’ ‘pride goes before a fall,’ ‘the wages of sin is death;’ adverbs and pronouns as ‘verily, whoso, forasmuch as; phrases as come to pass, children’s children, the fat of the land, vanity of vanities, outer darkness, the apple of his eye, Ancient of Days, the rose of Sharon. Second, there are paraphrases of individual and combined verses.

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In addition to this, Melville successfully imitates three Biblical strains: the apocalyptic, the prophetic and the sermonic narrative tone of writing. Melville sustains the apocalyptic tone of anxiety and foreboding for a whole chapter of Mardi. The prophetic strain is expressed by Melville in Moby-Dick, most notably in Father Mapple’s sermon. The tradition of the Psalms is imitated at length by Melville in The Confidence-Man. Redburn’s “Thou shalt not lay stripes upon these Roman citizens” makes use of language of the Ten Commandments in Ex.20,[f] and Pierre’s inquiry of Lucy: “Loveth she me with the love past all understanding combines John and Philippians Third, certain Hebraisms are used, such as a succession of genitives , the cognate accusative. A passage from Redburn shows how all these different ways of alluding interlock and result in a fabric texture of Biblical language, though there is very little direct quotation:

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