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Starting in the mid-1930s, the Yale University scholar Stanley Thomas Williams supervised more than a dozen dissertations on Melville that were eventually published as books. Where the first wave of Melville scholars focused on psychology, Williams’ students were prominent in establishing Melville Studies as an academic field concerned with texts and manuscripts, tracing Melville’s influences and borrowings (even plagiarism), and exploring archives and local publications.To provide historical evidence, the independent scholar Jay Leyda searched libraries, family papers, local archives and newspapers across New England and New York to document Melville’s life day by day for his two-volume The Melville Log (1951) Sparked by Leyda and post-war scholars, the second phase of the Melville Revival emphasized research into the biography of Melville rather than accepting Melville’s early books as reliable accounts.

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The postwar scholars tended to think that Weaver, Harvard psychologist Henry Murray, and Mumford favored Freudian interpretations which read Melville’s fiction too literally as autobiography; exaggerated his suffering in the family; and inferred a homosexual attachment to Hawthorne. They saw a different arc to Melville’s writing career. The first biographers saw a tragic withdrawal after the cold critical reception for his prose works and largely dismissed his poetry. A new view emerged of Melville’s turn to poetry as a conscious choice that placed him among the most important American poets. Other post-war studies, however, continued the broad imaginative and interpretive style; Charles Olson’s Call Me Ishmael (1947) presented Ahab as a Shakespearean tragic hero, and Newton Arvin’s critical biography, Herman Melville (1950), won the National Book Award for non-fiction in 1951.

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