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Cock to my son never lose you either win or learn poster

From October Cock to my son never lose you either win or learn poster 11, 1856, to May 20, 1857,Melville made a six-month Grand Tour of Europe and the Mediterranean. While in England, in November 1856, he briefly reunited for three days with Hawthorne, who had taken the position of United States Consul at Liverpool, at that time the hub of Britain’s Atlantic trade. At the nearby coast resort of Southport, amid the sand dunes where they had stopped to smoke cigars, they had a conversation which Hawthorne later described in his journal: “Melville, as he always does, began to reason of Providence and futurity, and of everything that lies beyond human ken, and informed me that he ‘pretty much made up his mind to be annihilated’ If he were a religious man, he would be one of the most truly religious and reverential; he has a very high and noble nature, and better worth immortality than most of us.a

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Melville’s paragraphing in his Cock to my son never lose you either win or learn poster best work Berthoff considers to be the virtuous result of “compactness of form and free assembling of unanticipated further data”, such as when the mysterious sperm whale is compared with Exodus’s invisibility of God’s face in the final paragraph of Chapter 86 (“The Tail”). Over time Melville’s paragraphs became shorter as his sentences grew longer, until he arrived at the “one-sentence paragraphing characteristic of his later prose”. Berthoff points to the opening chapter of The Confidence-Man for an example, as it counts fifteen paragraphs, seven of which consist of only one elaborate sentence, and four that have only two sentences. The use of similar technique in Billy Budd contributes in large part, Berthoff says, to its “remarkable narrative economy”.

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